Show room

In an old industrial court of the 19th century , enters the Bastille  and the Nation, Mathilde Baralhé installed its gallery/show room "Made" to offer an ECRIN to work of the artists and contemporary designers which it chose to publish.

On the blind door of the red brick building, so characteristic of the industrial buildings of the 19th century, the simple name of Made gives the visitor a sobriety reception.

The surprise is reserved inside: a very particular atmosphere, sign of a new time. It is in the workshops of an old joinery, with the shelter of the urban tumult however near, that Mathilde Baralhé decided to settle, in a moving district, where citizens of the world and wholesalers textile cross artists and creators of any invoice. After a few years spent in the heart of Médina de Marrakech to animate a workshop of household linen embroidered, this young Frenchwoman borrows a new way: to publish and represent artists and designers, which it elects with the liking of its meetings. To start with most Parisian of the Italian contemporary artists, Pucci of Rossi. She entrusted  the building site of this loft besides to him hybrid, at the same time gallery show-room and dwelling, where she receives on go. She thus opens her door with set on contemporary creation which inhales a vivifying air, to thousand miles of ambient conformism.

Because Pucci of Rossi made shift its profession of faith and irony his  way of expression. Its single style which associates wood current and industrial materials like aluminium, stainless, the plexiglass, PVC, lead or Formica, its so personal leg, faithful to the traditional artisanal techniques, as much as its direction of the observation of the daily newspaper and its tinted  ingeniousness of humour, confer a identity with share, appraisal to him since decades of the contemporary collectors.

Side day, works of art, parts of furniture and objects published by Mathilde Baralhé-and consequence all with sell-cohabit joyfully, giving to the place its character, combining the rigour of volumes to the poetry of works. volume is intact, arithmetric the discreetly retracted windows preserved, arrangements and technical points, like the entry where a half added partition made it possible to create space for a bathroom and a closet, or open and yet almost invisible kitchen since the stay, since masked in the thickness of a partition. "I wished to make the place more cordial with color. But for Pucci, the form counts above all. It thus chose tone intense in the form of homage to the atmospheres of David Lynch ".

Mathilde Baralhé gives to see the talents of today, to discover in the intimacy of this strange place.